A word cloud that is in the shape of headphones, with the words 'Contents May Vary' in there. Text to the right reads, "Episode 56: Screenwriter Josephine Green Zhang

Contents May Vary: Screenwriter Josephine Green Zhang

I talk to Josephine Green Zhang, who is a screenwriter mostly focused on television.

Contents May Vary: Sean Cawelti, Artistic Director of Rogue Artists Ensemble

I interview Sean Cawelti, who is the artistic director of the Rogue Artists Ensemble theatre in Los Angeles.

a background image of a mic during a recording. The Longest Day logo is in the upper left. On the right are three headshots

The Longest Day Fundraiser – 4th and Final Round Interview Announcements

And the last set of interviews are announced for my Longest Day fundraiser.

A word cloud that is in the shape of headphones, with the words 'Contents May Vary' in there. Text to the right reads, "Episode 52: 2021 Writers and Illustrators of the Future Awards'

Contents May Vary: 2021 Writers and Illustrators of the Future Awards

The 2020 and 2021 Writers and Illustrators of the Future Awards were held in October 2021. Here’s some extended interviews from it.

Geek Out with Angie Fiedler Sutton - Episode 51 - Contents May Vary

G33K Out Episode 51: Contents May Vary

A belated celebration of my 50th episode. I talk about the past, the current status of the podcast, and what may be coming in the future.

Theatre Review: Pacific Resident Theatre's 'Andy Warhol's Tomato'

Theatre Review: Portrait of the Pop Artist as a Young Man: ‘Andy Warhol’s Tomato’ Imagines a Defining Moment in the Development of an American Icon

Andy Warhol is one of those artists whose reputation is bigger than life. His persona is so legendary, it’s hard to imagine who he was before he was “Warhol.”

Read more at The Argonaut.

Theatre Review - Rogue Machine Theatre's "Gunshot Medley: Part 1"

Theatre Review: “Everybody’s Somebody’s Child.”: The Trauma of Racism Haunts Rogue Machine’s Powerful “Gunshot Medley”

Rogue Machine’s revival of Gunshot Medley: Part 1 is a haunting look at how the ghosts of racism are not — and have never been — fully buried.

Read more at The Argonaut.